There is something about a bright object emerging from the hazy shadow that catches one's attention. Rembrandt and Caravaggio knew this and used pushed the concept to its fullest. But its not as simply as painting dark and light. Instead, its all about relationship. The shadow must have enough dark to be shadow and enough transparency to recede into the background. For me, painting the chiaroscuro background is the most difficult part of painting and, as a result, the most exciting.
Oil Paintings by Charles Tabor
Tuesday, October 11, 2016
Chiaroscuro and the effect of light
Monday, March 14, 2016
Finally Back Up and Running--And a Bunch of Paintings
Friday, October 2, 2015
Revel Time and some New Art Work
Cannot believe I have not posted since July. Time has just flown by. Ill be at the Red River Revel in Shreveport October 2-6.
Wednesday, July 22, 2015
Gabriel
Tuesday, June 16, 2015
Pewter and White
Beyond the Hill
Tuesday, June 9, 2015
Out of the Office
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